Anaïs Nin Last Days: A Memoir by Barbara Kraft is Now in Paperback

A friend is a present you give yourself.

Each friend represents a world in us, a world not born until they arrive, and it is only by this meeting that a new world is born.
—Anaïs Nin

Anaïs would have loved this elegant presentation of her Last Days by Barbara Kraft.

Please be sure and order from this link on Amazon. Anaïs Nin: The Last Days is a perfect gift to give to a friend, stunning gift wrap is available through Amazon. Those who have followed our web site since we created the beautiful pre-Google spacious (non ad or banner) white page site, Thinking of Anaïs Nin, will recognize the lovely photo by Valerie Harms. Kudos to designer Liz Des Rochers for creating such a gorgeous evocative cover that captures the magic of this luminous book

To order this beautiful paperback version of Last Days please buy on Amazon at this link.

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Los Angeles, CA. “I have chosen to reveal the intimacies of Anaïs Nin’s last days as I  witnessed them so that the story of her death is not lost. Everything comes back in the mind’s eye. Everything comes back in the crucible of the heart. She remains in my psyche all these years later as the most refined and rarified human being I have ever encountered.”

Thus begins Barbara Kraft’s memoir, ANAIS NIN: THE LAST DAYS (Pegasus Books;August 2013; $14.95 U.S.).  With her sometimes loving and sometimes raw prose, Kraft has captured the humanity, mortality, and essence of one of the twentieth century’s most celebrated and yet mysterious literary figures.

Anaïs Nin, noted for her diaries and erotica, was at the height of her fame when she took on Barbara Kraft as a writing student.  Quickly, the two became intimate friends at the moment  when both would encounter tragedy: Nin’s terminal cancer and Kraft’s impending difficult  divorce.  The circumstances created an environment of interdependency: Nin, despite her failing health, supported Kraft’s writing and life decisions, and Kraft became a devoted and untiring part of Nin’s support system during her last two years of life.

As Noel Riley Fitch, author of Anaïs:The Erotic Life of Anaïs Nin, writes of Kraft’s book: “An intimate and beautiful portrayal of the final years and painful death of Anaïs Nin … This compelling memoir is honest, critical, and full of perceptive insights into the relationships between Nin and her men.”Of all the young women I’ve worked with you are the one most like me,” Nin told Kraft as she lay dying.”

Kraft describes her initial meeting with Nin in February 1974, writing that Nin was poetry embodied and seemed to ‘glide’ over the rose-colored carpet of her Silver Lake home ‘like a swan skimming the surface of still waters.’ And in December of that year she begins what was to become a chronicle of Nin’s terrible two-year battle with cancer.

“I can’t tell the world about my illness, Barbara, but you can, and I want the world to know. I Because of the overwhelming reality of cancer, Anaïs Nin was stripped down to her bare essence, which Kraft captures expertly. She poignantly records not only Nin’s stubborn grip on life, but also the heroic efforts that Rupert Pole, Nin’s West Coast lover, made to shield her from the inevitable pain, agony, and humiliation associated with the disease. It is a monumental tribute to not only those fighting for their lives, but also the forgotten ones—the caregivers.

As Kraft writes a few days before she died, Anaïs whispered her final dream into my ear… “I dreamed that I had all my dresses and capes laid out on the floor and that we were going to have them copied exactly for you so that when I am well we can go out together as twins…. But someone told me that was foolish because I could not get up and go out and that we could not be The very personal events in this book will resonate with anyone who has gone through terminal disease or knows someone who has. So, like Nin herself, the raw reality of Anaïs Nin: The Last Days becomes symbolic, mythical, and universally inspirational.

Anaïs Nin: The Last Days is available in bookstores and on line at Amazon

Barbara Kraft is the author of  Anaïs Nin: The Last Days (2013) and The Restless Spirit: Journal of a Gemini: The latter was  published in 1976 with a preface by Anaïs Nin, and laudatory comment by  the late Carlos Baker, definitive biographer of Ernest Hemingway and Woodrow Wilson Professor of Literature at Princeton.  Kraft has also written several radio plays including a play on the legendary muse of William Butler Yeats, Maud Gonne. The play won an Ohio State Award as “an outstanding example of original radio drama as written and directed by KPFK’s Barbara Kraft.” Kraft has written several libretti including The Dream

Tunnel: A Musical Journey through America, commissioned and performed by the Los Angeles Philharmonic Orchestra (with Kraft as narrator) for the 1976 Bicentennial.   The Los Angeles Times wrote of her libretto for The Innocents: The Witch Trial at Salem “….Barbara Kraft gives vivid, incantatory fragments to vocal quartets of Magistrates, Clergy, two groups of Innocents and a chorus representing the Populace.  Sections of raucous, conflicting (but tightly written cries portrayed a community beset by hysteria.”

A former reporter for Time, and contributor to Washington Post, People, USA Today, and Architectural Digest, Kraft’s work has appeared in The Hudson Review, Michigan Quarterly, Canadian Theatre Review and Columbia Magazine, et al; and among the many radio programs she has hosted and produced is Transforming OC, a two-part documentary for KCRW (the award winning Santa Monica-based NPR station) on the 2006 opening of the Renee and Henry Segerstrom Concert Hall in Costa Mesa. Kraft is a Registered Reader at the Huntington Library in San Marino and lives and writes in Los Angeles, California. Visit her website.